Around the World in Eighty Days
Jules Verne A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Around the World in Eighty Days Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
The Division of Labor in Society
Revised for the first time in over thirty years, this edition of Emile Durkheim’s masterful work on the nature and scope of sociology is updated with a new introduction and improved translation by leading scholar Steven Lukes that puts Durkheim’s work into context for the twenty-first century reader. When it was originally published, The Division of Labor in Society was an entirely original work on the nature of labor and production as they were being shaped by the industrial revolution. Emile Durkheim’s seminal work studies the nature of social solidarity and explores the ties that bind one person to the next in order to hold society together. This revised and updated second edition fluently conveys Durkheim’s arguments for contemporary readers. Leading Durkheim scholar Steve Lukes’s new introduction builds upon Lewis Coser’s original—which places the work in its intellectual and historical context and pinpoints its central ideas and arguments. Lukes explains the text’s continued significance as a tool to think about and deal with problems that face us today. The original translation has been revised and reworked in order to make Durkheim’s arguments clearer and easier to read. The Division of Labor in Society is an essential resource for students and scholars hoping to deepen their understanding of one of the pioneering voices in modern sociology and twentieth-century social thought.
The Ladies Paradise Vizetelly Translation Unabridged
Also known as Au Bonheur des Dames; The Ladies' Delight or The Ladies' Paradise; is the eleventh novel in the Rougon-Macquart series by Émile Zola. The novel is set in the world of the department store, an innovative development in mid-nineteenth century retail sales. Zola models his store after Le Bon Marché, which consolidated under one roof many of the goods hitherto sold in separate shops. In Au Bonheur des Dames, the store is a symbol of capitalism, the modern city and the bourgeois family. It is emblematic of changes in consumer culture, sexual attitudes and class relations taking place at the end of the century. The novel tells the story of Denise Baudu, a 20-year-old woman from Valognes who comes to Paris with her brothers and begins working at the department store Au Bonheur des Dames as a saleswoman. Zola describes the inner workings of the store from the employees' perspective, including the 13-hour workdays, the substandard food and the bare lodgings (for the female staff). Many of the conflicts in the novel spring from the struggles for advancement and the malicious infighting and gossip among the staff. Au Bonheur des Dames is a sequel to "Pot-Bouille". Like its predecessor, Au Bonheur des Dames focuses on Octave Mouret (b. 1840), who at the end of the previous novel married Caroline Hédouin, the owner of a small silk shop. Now a widower, Octave has expanded the business into an international retail powerhouse occupying (at the beginning of the book) most of an entire city block. Au Bonheur des Dames has been made into a number of films, television series and plays.
Stephane Hessel, Resistance fighter and concentration-camp survivor, tells the young of today that their lives and liberties are worth fighting for. Remembering the ideals for which he risked his life, while never forgetting the evils against which he struggled, the now 93-year-old writer and diplomat calls on all of us to take back the rights that have slowly slipped away since the Second World War ended. With sales of this masterful polemic topping a million copies in France, and a bestseller in Germany, Italy, and Spain as well, Indignez-Vous! is proudly published as a unique bilingual edition in Australia and New Zealand by Scribe.
Salambo Classic Reprint
Excerpt from Salambo To those who like to impose upon life and the achievements of the human spirit the arbitrary pattern of a private logic, it must always seem strange that Madame Bovary should have preceded Salambo in the chronology of Flaubert's authorship. Surely, in the name of neatness, of psychology, their relative positions should have been reversed? Emma tried to escape from reality into romance and was brought to destruction. It would have been satisfying to know that Flaubert, profiting by his heroines example, had turned from the romantic to the actual, from Carthage to Normandy. But this is not what happened. Madame Bovary was published in 1857, Salambo in 1862. As the result of an enforced and prolonged intercourse with the spiritual squalor of the provincial middle-class (and a hatred of the middle-class of France was always a strong determining factor in his development as an artist) Flaubert turned to seek relief in the distant, the fantastic, the romantic. But unlike Emma's, his weakness for romance("Madame Bovary, c'est moi") was balanced by a passion for truth, by a craving for the accurately actual. For her, romance meant a smoothing away of sharp edges, a blurring of clear vision. Its charm, for him, lay in distance and difference. By saturating himself in the atmosphere of Carthage between the first and second Punic Wars, he could forget the French of Louis Philippe and Napoleon III, but he would have nothing to do with sentimental glosses. Distance, so far as he was concerned, lent not enchantment but remoteness to the view, and he set himself the task of giving to his imagined scene the highest degree of actuality with which research could furnish him. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Within a Budding Grove
Follows the narrator's transition from childhood to adolescence and first love on the beaches of Normandy.
A Discourse Upon the Origin and the Foundation of the Inequality Among Mankind
Jean Jacques Rousseau was born at Geneva, June 28, 1712, the son of a watchmaker of French origin. His education was irregular, and though he tried many professions—including engraving, music, and teaching—he found it difficult to support himself in any of them. The discovery of his talent as a writer came with the winning of a prize offered by the Academy of Dijon for a discourse on the question, "Whether the progress of the sciences and of letters has tended to corrupt or to elevate morals." He argued so brilliantly that the tendency of civilization was degrading that he became at once famous. The discourse here printed on the causes of inequality among men was written in a similar competition.
Introductory Lectures on Aesthetics
No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.
Uncompromising, often startling, meticulously documented—this book is an account of the government, and the governed, of colaborationist France. Basing his work on captured German archives and contemporary materials rather than on self-serving postwar memoirs or war-trial testimony, Professor Paxton maps out the complex nature of the ill-famed Vichy government, showing that it in fact enjoyed mass participation. The majority of the Frenchmen in 1940 feared social disorder as the worse imaginable evil and rallied to support the State, thereby bringing about the betrayal of the Nation as a whole.
Moveable Feast The Restored Edition
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft. Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.