Fiches bac Philosophie Tle L ES S
Fiches de cours et quiz d’évaluation : un outil de révision efficace pour préparer l’épreuve de philosophie du bac. L’essentiel du programme en 61 fiches claires et visuelles – l’essentiel du cours sur toutes les notions du programme – des plans détaillés pour s’entraîner à la dissertation – des quiz pour s’évaluer, avec les corrigés au verso Avec le livre, un accès gratuit aux ressources du site www.annabac.com : podcasts et fiches de cours, quiz interactifs, exercices et annales corrigées...
Phenomenology of Perception
First published in 1945, Maurice Merleau-Ponty’s monumental Phénoménologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers. Phenomenology of Perception stands in the great phenomenological tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty’s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one’s situation and experience within the world. Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty’s discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator’s Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty’s references to now available English translations. Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty by Claude Lefort. Translated by Donald A. Landes.
Les cl s de la grammaire anglaise
Une nouveauté dans la didactique de l'anglais : une grammaire conçue en fonction des acquis de la recherche linguistique contemporaine. Pour les élèves des lycées et pour les étudiants post-baccalauréat : une grammaire du pourquoi, qui explique la belle géométrie de la grammaire anglaise; une grammaire cohérente, qui retrouve l'intelligibilité derrière les faits disparates de l'énoncé linéaire; une grammaire à lire, à travailler, et non pas un recueil de références occasionnelles, de "règles" aussitôt suivies d'"exceptions"; une consultation aisée : la Banque des mots grammaticaux (alphabétique) renvoie au corpus fondamental du Grammatoscope.
Introductory Lectures on Aesthetics
No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.
Bibliographie nationale fran aise
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“A highly unusual tale set in a highly unusual Irish village full of dark secrets…Lushly imagined, delightfully original, and very, very funny, it hurtles along from the very first page” (M.L. Stedman, author of The Light Between Oceans). Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother’s disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened twenty-six years ago. From the moment he sets foot in Mulderrig, Mahony’s presence turns the village upside down. His uncannily familiar face and outsider ways cause a stir among the locals, who receive him with a mixture of excitement (the women), curiosity (the men), and suspicion (the pious). Determined to uncover the truth about what happened to his mother, Mahony solicits the help of brash anarchist and retired theater actress Mrs. Cauley. This improbable duo concocts an ingenious plan to get the town talking about the day Mahony's mother disappeared and are aided and abetted by a cast of eccentric characters, both living and dead. Himself is a simmering mixture—a blend of the natural everyday and the supernatural, folklore and mystery, and a healthy dose of quintessentially Irish humor. The result is a darkly comic crime story in the tradition of a classic Irish trickster tale, complete with a twisting and turning plot, a small-town rife with secrets, and an infectious love of language and storytelling that is a hallmark of the finest Irish writers.
Livres de France
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A Phantom from the East
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Nancy Kress cemented her reputation in SF with the publication of her multiple-award–winning novella, "Beggars in Spain," which became the basis for her extremely successful Beggars Trilogy (comprising Beggars in Spain, Beggars and Choosers, and Beggars Ride). And now she brings us Probability Space, the conclusion of the trilogy that began with Probability Moon and then Probability Sun, which is centered on the same world as Kress's Nebula Award-winning novelette, "Flowers of Aulit Prison." The Probability Trilogy has already been widely recognized as the next great work by this important SF writer. In Probability Space, humanity's war with the alien Fallers continues, and it is a war we are losing. Our implacable foes ignore all attempts at communication, and they take no prisoners. Our only hope lies with an unlikely coalition: Major Lyle Kaufman, retired warrior; Marbet Grant, the Sensitive who's involved with Kaufman; Amanda, a very confused fourteen-year-old girl; and Magdalena, one of the biggest power brokers in all of human space. As the action moves from Earth to Mars to the farthest reaches of known space, with civil unrest back home and alien war in deep space, four humans--armed with little more than an unproven theory--try to enter the Fallers' home star system. It's a desperate gamble, and the fate of the entire universe may hang in the balance. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This trio of short stories by the author of Madame Bovary consists of "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias." Translated by Arthur McDowall.