Fiches bac Philosophie Tle L ES S
Fiches de cours et quiz d’évaluation : un outil de révision efficace pour préparer l’épreuve de philosophie du bac. L’essentiel du programme en 61 fiches claires et visuelles – l’essentiel du cours sur toutes les notions du programme – des plans détaillés pour s’entraîner à la dissertation – des quiz pour s’évaluer, avec les corrigés au verso Avec le livre, un accès gratuit aux ressources du site www.annabac.com : podcasts et fiches de cours, quiz interactifs, exercices et annales corrigées...
Of all the faculties (except that which I shall soon mention), you will find not one which is capable of contemplating itself, and, consequently, not capable either of approving or disapproving. How far does the grammatic art possess the contemplating power? As far as forming a judgment about what is written and spoken. And how far music? As far as judging about melody. Does either of them then contemplate itself? By no means. But when you must write something to your friend, grammar will tell you what words you should write; but whether you should write or not, grammar will not tell you. And so it is with music as to musical sounds; but whether you should sing at the present time and play on the lute, or do neither, music will not tell you. What faculty then will tell you? That which contemplates both itself and all other things. And what is this faculty? The rational faculty; for this is the only faculty that we have received which examines itself, what it is, and what power it has, and what is the value of this gift, and examines all other faculties: for what else is there which tells us that golden things are beautiful, for they do not say so themselves? Evidently it is the faculty which is capable of judging of appearances. What else judges of music, grammar, and the other faculties, proves their uses, and points out the occasions for using them? Nothing else.
Introductory Lectures on Aesthetics
No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.
A Phantom from the East
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Bibliographie nationale fran aise
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Existentialism is a Humanism
This book presents a new English translation of two seminal works by Jean-Paul Sartre, the most dominant European intellectual of the post-World War II decades. The volume includes Sartre's 1945 lecture “Existentialism Is a Humanism” and his analysis of Camus's The Stranger, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre's introduction and a Q&A with Sartre about his lecture. In her foreword, intended for an American audience, acclaimed Sartre biographer Annie Cohen-Solal offers an assessment of both works. It was to correct common misconceptions about his thought that Sartre accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre's doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind.
Pascal's ambitious apologia for Christianity was curtailed by his untimely death. Fragments published posthumously in 1670 as Pensées remain a vital part of religious and philosophical literature.
Livres de France
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Man s Fate
Shanghai, 1927, and revolution is in the air. As the city becomes caught up in violence and bloodshed, four people's lives are altered inexorably: idealist and intellectual Kyo Gisors, one of the leaders of the Communist insurrection, who is also trying to deal with his own marital strife; Ch'en Ta Erh, an assassin and terrorist brutalized by killing; Baron de Clappique, a French gambler, opium dealer and gun runner; and Russian revolutionary Katov, who calmly watches events unfold, until he has to make the ultimate sacrifice. Each of these men must try to resolve their personal conflicts amid political turmoil, conspiracy and betrayal. Man's Fate, winner of The Prix Goncourt in 1933, is a gripping story of conflict, free will and our power to shape our destiny. With a new introduction by Philip Gourevitch 'A genuine poetic creation' J. B. Priestley
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